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Screams and Brass Givings
Democracy of sanction and proportion
aaaaaawillful earnest argument
aaaaaaarticulation of dark hands and
aaaaaastretched, bent backs.
Music born from blue and gold
aaaaaaswamp and bourgeoisie stunt –
aaaaaaforearmed giant with heavy neck and
aaaaaabelly of intent –
aaaaaabreathes the forgotten evident Truth
aaaaaaaaaaaaaaaaaaain his fury and logic
aaaaaastanding to witness –
aaaaaablue suits tap and holler
aaaaaasudden white fear and rent thoughts of home.
More mention of a Supreme as he continues
aaaaaato carry wheel barrow of song
aaaaaaand the rest of his belongings.
Absence of Miles between fused outburst
aaaaaaand indulgent restraint.
aaaaaaCherubic command and grace masks lustful
aaaaaapropensity –
aaaaaaextended notes carouse the painted
aaaaaatoes and evening gowns,
before arched ascension to the
aaaaaa red velvet black and white film
aaaaaa through which the whole of this exists.
The Revolution has once again become unruly –
aaaaaa deaf falcons hover fallen notes,
aaaaaa slow train blues champagne
aaaaaa white table cloth black shoe
aaaaaameander through clearly glazened
aaaaaa cellophane streets crawls through
aaaaaa kaleidoscope trolley filter.
Quintet engine hums like Sugar Ray Robinson combo –
aaaaaa sets the laziness of wing’s cusp and
aaaaaa cuts into soft shaded air.
‘Round Midnight the street lamp peaks
aaaaaa above my curtain and ground clouds
aaaaaa pass from the inadvertent sea.
Falling to rest, slow train from miles eases
aaaaaa my circumference down with extended
aaaaaa breath and expectant blow
aaaaaa of a guarded sleep.
Erect Poseidon stone statues towering, buzzing
aaaaaa the shelves
aaaaaa sell tickets
aaaaaa (price is style and cool-ness)
Conscripted audio scripture listening
aaaaaa in all seriousness of any emotion
aaaaaa --except fear—
Evangelical demons, distorters of technique –
aaaaaa melders of blue steel and intent
Stray falcons bent to listen –
aaaaaa paused for response.
Top/Arriba
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